
U◯s◯◯n (5 finger hat die hand), 2025, oil, acrylic and crayon on primed stone paper, metal eyelets, 200 x 140 cm

Geistige und körperliche Arbeit, 2024, grease, watercolour and crayon on primed stone paper, metal eyelets, 200 x 140 cm

BERBAUÜBERBAUBASISÜBERBAU, 2025, acrylic, watercolour and crayon on primed stone paper, metal eyelets, 200 x 140 cm

kleine Orientierungsfrage (warten, aushalten), 2025, ink, acrylic, watercolour, oil pastels and crayon on primed stone paper, metal eyelets, 200 x 140 cm

Als gute Mutter, 2024, watercolour on handmade paper, 18 x 19,2 cm, 28 x 28,5 cm (framed)

Als gute Mutter, 2024, watercolour on handmade paper, 18,5 x 22,2 cm, 28,5 x 31,5 cm (framed)

Untitled (beispielhaft), 2024, watercolour and oil pastels on handmade paper, 20,5 x 14,5 cm, 30,5 x 23 cm (framed)

Untitled (beispielhaft), 2024, watercolour on handmade paper, 19 x 18,6 cm, 29 x 28 cm (framed)

12, 24, 72 h Wahrheit (from the series ‘Ränder’), 2025, pencil on paper, 5,8 x 6 cm, 11,5 x 11 cm ( framed)

12, 24, 72 h Wahrheit (from the series ‘Ränder’), 2025, pencil on paper, 5,8 x 5,7 cm, 12,5 x 11 cm (framed)

Untitled (from the series ‘working on a particular condition’), 2021, acrylic paint, watercolor, colored pencil & grease on stone paper, 58 x 41,5 cm, 66,5 x 49 cm (framed)

Installation view at Galerie Tobias Neahring, Photo: dotgain.info

Installation view at Galerie Tobias Neahring, Photo: dotgain.info

Installation view at Galerie Tobias Neahring, Photo: dotgain.info

Installation view at Galerie Tobias Neahring, Photo: dotgain.info

Right: Pear, 2022, papier-mâché, gesso, silver leaf, varnish, 28 × 24 × 21 cm
Installation view at Galerie Tobias Neahring, Photo: dotgain.info

Right: Quince II, 2022 papier-mâché, gesso, watercolor, 28 × 21 × 13 cm
Installation view at Galerie Tobias Neahring, Photo: dotgain.info

Installation View, Site Visit, Museum Brandhorst, March 15 – 20, 2022. Photo: Haydar Koyupinar. © Johanna Klingler

Installation View, Site Visit, Museum Brandhorst, March 15 – 20, 2022. Photo: Haydar Koyupinar. © Johanna Klingler