Installation view, PLEIN AIR, 06.04.2019 – 11.05.2019, Galerie Christine Mayer, Munich

Plein Air (Untitled / Schwarzwald) #1, (2003) 2019, UV direct print, lightweight paper on canvas
200 x 140 x 4 cm

Plein Air (Untitled / Les Ambassadeurs) #4, (2007) 2019, UV direct print, lightweight paper on canvas
200 x 135 x 4 cm

Plein Air (Untitled / Palms) #2, (1998) 2019, UV direct print, lightweight paper on canvas
200 x 125 x 4 cm

Installation view, Portrait of an Image, 16.09.2017 – 21.10.2017, Galerie Christine Mayer, Munich

–lationals (Fotos), 2017, latex print on Erfurt digital non-woven wallpaper 3 strips of wallpaper
Multiple of 5 + 2 AP, 365 x 236 cm (size variable)

Image of a Poster, 2017, digital print on UV-stabilized PE-scaffolding protection net on aluminium stretcher frame
300 x 200 x 4 cm

Portrait of a Button, 2017, UV-direct print on 20mm honeycomb cardboard, transparent acrylic glass cover
55 x 37,1 x 3.9 cm

1993_(Works), 2017, transparent yellow acrylic glass cover on small box-object from 1993: black and white copy on finnish wooden cardboard, yellow textile-tape
30,9 x 45,5 x 8,4 cm

Chronicles (Das Arbeitseinkommen verliert an Gewicht), 2017, UV-direct print on 20mm honeycomb cardboard, aluminium frame
Edition 3 + 2 AP, 36,2 x 51,5 x 4 cm

Installation view, 1978_VIERJAHRESZEITENBILDER, 18.11.2017 – 22.06.2018, Le Corbusierhaus, c834, Berlin
Foto: Roman März

Chronicles (1978_VIERJAHRESZEITENBILDER),1–16, 2017, colour laser copy on NZZ-page on polypropylene board
49,5 x 34,5 cm, total: 230 x 187,5 cm
Foto: Roman März

Installation view
Foto: Roman März

 1978_VIERJAHRESZEITENBILDER, 1-4, 1978, acrylic varnish on coloured flag cloth
192 x 132 x 4 cm
Foto: Roman März

Installation view, The Romantic Size of Capitalism, 14. 03. 2015 – 18. 04. 2015, Galerie Christine Mayer, Munich

The Romantic Size of Capitalism (Untitled) # 19, 2015, xerox, correction pen, newspaper, acrylic, canvas
100 x 72 x 2 cm

The Romantic Size of Capitalism (view) # 18, 2015, xerox, tablecloth paper, acrylic, canvas
100 x 72 x 2 cm

The Romantic Size of Capitalism (with 3 blue fields) # 1, 2015, xerox, newspaper, acrylic, canvas
100 x 72 x 2 cm

The Romantic Size of Capitalism (Untitled) # 7, 2015, xerox, correction pen, newspaper, acrylic, canvas
100 x 72 x 2 cm

The Romantic Size of Capitalism (Untitled) # 15, 2015, xerox, tablecloth paper, acrylic, canvas
100 x 72 x 2 cm

The Romantic Size of Capitalism (gold) # 5, 2015, xerox, tablecloth paper, acrylic, canvas
100 x 72 x 2 cm

The Romantic Size of Capitalism (Untitled) # 9, 2015, xerox, ink, newspaper, tablecloth paper, acrylic, canvas
100 x 72 x 2 cm

Installation view, Sentimental Boards, 08.03.2013 – 13.04.2013, Galerie Christine Mayer, Munich

Sentimental Boards / Tafel II, 2013, newspaper on aluminium sheet
149 x 104 cm

Sentimental Boards / Tafel I, 2013, newspaper on aluminium sheet
149 x 104 cm

Sentimental Boards / Tafel IV, 2013, newspaper on aluminium sheet
149 x 104 cm

Sentimental Boards / Tafel V, 2013, newspaper on aluminium sheet
149 x 104 cm

Sentimental Boards / Tafel VI, 2013, newspaper on aluminium sheet
149 x 104 cm

Sentimental Boards / Tafel III, 2013, newspaper on aluminium sheet
149 x 104 cm

Installation view, Happy Railway Paintings, 11.12.2010 – 29.01.2011, Galerie Christine Mayer, Munich

Happy Railway Painting No. 1, 2009, black and white copy on newspaper pages on cotton
285 × 205 cm

Happy Railway Painting No. 2, 2009, black and white copy on newspaper pages on cotton
285 × 205 cm

Happy Railway Painting No. 3, 2009, black and white copy on newspaper pages on cotton
285 × 205 cm

Happy Railway Painting No. 4, 2009, black and white copy on newspaper pages on cotton
285 × 205 cm

Happy Railway Painting No. 5, 2009, black and white copy on newspaper pages on cotton
285 × 205 cm

Installation view, ARCHIV REVOLUTION, 2008/2012, Kellerland Berlin
Foto: Nick Ash